PICK A COLOR

Posted in composite, Gear, photo business on May 20th, 2013 by Scott

Just wrapping up a recent project with this little creation.  A client with very specific needs left me with a 1200 colorful files.  Don’t blink, you might miss a few options.

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STUDIO SESSION

Posted in Gear, photo business on October 2nd, 2012 by Scott

No sunscreen, no salt spray, no moving parts. It’s studio time. I’m gearing up to shoot the entire line of Canyon Gear lures this month for a revolutionary web site they are building. It will be like nothing the tackle industry has seen when it’s complete. Meanwhile, I have lots of files yet to capture. I’ve partnered up with Catalog Kings in their Pompano Beach studio to pull this off. So much to learn inside those walls.

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COVERAGE

Posted in published on March 6th, 2010 by Scott


The North Drop in the British Virgin Islands gives up another cover photo. This months shot came while I was riding along on a familiar platform, the 58′ Revenge Custom Yacht. It’s kinda rare that I get to film a lure caught fish any more with most every team pitch baiting every opportunity. So I really welcomed this bite and was delighted that it stayed on and then jumped in range of my camera. Many thanks to Sam and Jon for the ride, and always grateful to Mike, Dean, and Ryan for letting me run around their office and do my thing. The only bad part of this cover photo is that when this magazine issue was going to print, someone dropped the ball and put the wrong photo credit on the title page. So this lovely creature is misidentified as a Black Marlin and the photo is credited to some other chap.

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MINI MOVIE

Posted in movie on January 4th, 2010 by Scott

Here is a multi media project I put together from 2009 Summer fishing action in St. Thomas aboard the boat Revenge. I rode along with Mike, Dean, and Ryan a few days and compiled this material into this short movie. It has some great billfish shots and jumping blue marlin action. And it shows a well oiled crew of fantastic fisherman doing their thing. It’s 4 minutes long and has an audio track. The content is a mixture of high res still frames from a Canon MKIII and some short video clips from a Canon MKII5D.

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